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An office that looked like an investment bank just wouldn't do once the agency embarked on a way of working that was more open and vibrant, Nick Gill writes.
The agency took a gamble by choosing a building full of empty storage docks and suspicious squatters in 2004, but Gordon Bowen was sold the moment he saw the view through the pane glass windows.
The warehouse space, with its mismatched couches and waffles on the counter, helps foster collaboration. Or at least that's what the Swedes tell Paul Malmstrom.
Deutsch LA's vast open interior allows room for staff to be inspired and ideas to flourish. But, Mark Hunter argues, this only works when the creative department sits together to form the soul of the agency.
A new exhibition at the London Transport Museum celebrates the posters that have come to define travel in the capital, created by legendary names in the art and design world. Michael Walton discusses the work's enduring appeal.
Rather than the usual city-centre location, Pablo Del Campo opted for a converted stable to inspire creativity and dialogue.
1. Audi S7, 8 cylinders when you need it The Audi S7 attempts to bridge the gap between saloons and traditional coup s by mixing luxury and sleek looks. And this ad, which combines the faces of a big cat and its domestic counterpart, is almost hypnotic in the way it communicates the S7 s power and...
2012 was all about the Olympics, and among the sponsors there could only be one winner as the sports brand's activity repeatedly struck gold.
1. Mark Collins The managing director of broadcast trading for Group M is, by virtue of the role, the biggest-cheese media buyer in town, overseeing the largest share of the TV spending pie as well as radio and cinema. When he isn t negotiating a smooth deal, he likes listening to The Stone Roses...
