BROADCAST: Regional reach - How do PROs target campaigns at radio stations outside London?

On the scale of PROs' preferred media, radio tends to be the poor

relation, an afterthought to print, TV and online channels. So what then

of regional radio, with its focus on all things local, from traffic

reports to phone-ins?



With the PR industry's hefty bias towards London most PROs think of

radio PR in terms of scoring coverage on national stations - the BBC or

the likes of talkSport, Classic FM and Virgin Radio.



But while clients may be impressed by spokespeople chatting up Sara Cox

on Radio 1 or Henry Kelly on Classic FM, there are whole swathes of

customers who prefer tuning in to their local radio presenter.



Indeed, the evidence suggests that local radio consumption in each area

of the UK compares very favourably with national consumption. According

to the latest Quarterly Summary of Radio Listening report from RAJAR,

the weekly reach of local commercial stations is a whopping 27.4

million, while BBC local and regional stations reach 10.5 million.



'There are a lot of people who listen solely to local radio and some

stations reach 25 to 30 per cent of the people living in their area.



PROs who ignore the regional medium are missing out on a whole chunk of

the UK population,' says EMR client services director Jon Trigg.



As a uniquely intimate medium, radio is positioned as the listeners'

friend, the familiar and trustworthy voice that accompanies the many

routine tasks of the day. With local radio stations, this buy-in is even

greater, as presenters talk about the events and places that their

listeners know and can relate to.



'If some guy who you've seen broadcasting in the local shopping mall

tells you about a really great nightclub for example, then you're going

to believe him,' says Trigg. 'It's all about the power of endorsement,

and people tend to have a lot more affinity with those radio presenters

who are a recognisable part of their local community.'



The other main advantage of promoting stories on local radio is that

compared with the pressures and time constraints of national radio, the

ambience can seem relaxed.



'Local radio presenters tend to be more friendly and amenable to

in-depth or chatty interviews,' says Steve Levinson, HBL Media director

of broadcasting and former Channel 4 News economics correspondent.



Levinson's organisation recently organised a campaign for Barclays

Business Banking around a survey revealing that one in seven new

businesses were set up by the over-50s, thereby coining the phrase the

'grey entrepreneur'.



Alongside TV coverage, this was sold in to regional radio stations on

the basis of local case studies, including a London-based florist in the

south-east, an e-business consultant in the Anglia region and a

packaging expert in the Bradford area.



This strategy resulted in 49 separate pieces of regional radio coverage

across the UK, from BBC Radio Cornwall to Forth Radio FM in

Scotland.



'The stations were really up for what we had to say because we were able

to give them a strong local story,' says Levinson.



In fact, the cheering news is that an increasing number of PROs are

starting to realise the importance of regional radio and are

understanding the necessity of tailoring information to local

listeners.



'More and more PROs are providing regional information these days around

research and surveys that they've commissioned. That alone shows they

are understanding the fact that they are dealing with a medium that

covers local issues and how those issues relate to its listeners,' says

Karen Brooks, director of editorial services at radio PR specialist

Market Tiers 4DC.



However, the medium does still suffer at the hands of those who fail to

look beyond the geographical boundaries to uncover the factors around a

station's output or listener profile. 'If you are a London PRO, do you

know how popular or what kind of information the BBC local station in

each region uses during the various times of the day, in what context

and which format?' asks Brooks.



In addition, commercial stations are often restricted by their Radio

Authority-awarded licences, and may as a consequence be quite light on

chat, or only pump out Asian or Christian content. Alternatively

stations might appeal to diverse groups at different times. A station

can attract housewives during the daytime, but take on cult status with

students and clubbers come the early hours of the morning.



'You've got to research what each station is about and be sure to

approach right people,' says Trigg. 'And it helps if you're prepared to

slot your story in between a recipe for spotted dick and a phone-in on

erectile dysfunction,' he adds.



THE NORTH



In May, Manchester 2002 set about mustering 15,000 volunteers for next

year's XVII Commonwealth Games. With vacant positions ranging from

accommodation officers and interpreters to caterers, couriers, drivers

and first aiders, the message it wanted to get across was: 'You don't

need to be an athlete to take part in the 2002 Commonwealth Games.'



However, with volunteers needing to be within easy commuting distance of

Manchester, regional radio was the ideal medium to reach people from all

walks of life across the north of England.



Through Market Tiers 4DC, a series of ISDN interviews, both live and

pre-recorded, were set up with speech-based and feature-style radio

programmes across Merseyside, Manchester, Leeds, Sheffield, Cheshire,

Derbyshire and Lancashire. These featured former England hockey player

Jane Sixsmith and Manchester 2002 volunteer manager, Amy

Parrish-Rett.



In addition, the PR team targeted the faster-moving breakfast shows

through the fax-wires and provided news-bites for newsrooms.



This strategy enabled Manchester 2002 to start building regional pride

in the forthcoming event and Parish-Rett to position volunteering as a

fantastic opportunity to be part of history and see events from behind

the scenes.



More than 19 stations covered the recruitment launch reaching in excess

of 12.2 million listeners. Although the campaign's success cannot be

measured solely in terms of radio activity, to date, Manchester 2002 has

received more than 10,000 volunteer applications.



NORTHERN IRELAND



Regional radio PR is something of a different animal in Northern Ireland

compared to the rest of the UK.



With commercial stations such as Cool FM offering little scope for

editorial coverage, only BBC Radio Ulster, BBC Radio Foyle and Down Town

Radio (DTR) serve up chat. Unsurprisingly, this talk tends to follow the

news agenda around the troubles and the constantly shifting status of

the National Assembly.



However, radio coverage is possible, as Tesco discovered this summer,

with its campaign to highlight its commitment to local sourcing. Viewed

by some as an interloper from across the water, the supermarket wanted

to fight the misconception that it was overlooking Northern Irish

suppliers and farmers.



Activities took the shape of themed weeks, with special promotions,

demonstrations, tastings and competitions in 33 stores.



The first themed week was a celebration of locally supplied beef and

lamb, during which agriculture minister Brid Rodgers and Tesco Northern

Ireland commercial manager Cliff Kells were interviewed on BBC Radio

Ulster and on DTR.



Here they explained the thinking behind the campaign and outlined

Tesco's new in-store customer signage highlighting a range of fresh

produce from seven local suppliers.



The campaign has since moved forward with a second themed week

celebrating local bakery produce, which Tesco's PR agency Davidson

Cockcroft Partnership promoted with a week-long radio competition.



In a straight-forward phone-in, listeners to Belfast station City Beat

could win £50 vouchers to spend at Tesco supplier bakeries, Ormeau

Bakery and Howell House.



WALES



Principal Finance Group (PFG), the venture capital arm of Japanese

investment bank Nomura International, made a £402m bid for

utilities group Hyder.



As this was the first proposed takeover of a Welsh company since the

inauguration of the National Assembly for Wales, many people were unsure

about how the Assembly would fit in to the DTI's consultation

process.



In addition, there was some local resistance to the idea of a London

firm meddling with what at the time constituted Wales' largest

company.



'There was also the big question of who would own Hyder subsidiary Welsh

Water, which made the whole thing highly emotive,' says Mari James,

managing director at GJW Cymru/Wales which handled public affairs around

the bid.



In fact, PFG was obliged to consult with members of the Assembly. But to

win the public over PFG chief executive Guy Hands decided to undertake a

live interview on BBC Radio Wales' breakfast show, Good Morning

Wales.



Here he outlined his long-term commitment to the development of Hyder's

business, delivering his message directly to the nation's breakfast

tables.



Four months later PFG let its bid lapse, with final victory going to

rival US firm, Western Power Distribution. However, James says: 'That

one interview allowed Hands to cross the Rubicon in terms of acceptance.

People were amazed that a big City financier had bothered to come to

Wales to speak to them directly.'



SCOTLAND



Morgan's Spiced Gold is a pre-mixed blend of golden rum, spices and

fruit that is currently only available to consumers in Scotland.



This June, brand-owner Seagram asked Leedex Euro RSCG Edinburgh to raise

awareness of the beverage and its 'Bingo, spiced up by Morgan's Spiced

Gold' TV ads among 18 to 25-year-old Scots.



Leedex negotiated an on-air promotion with commercial dance, rock and

entertainment radio station Beat 106, which broadcasts to a target

audience of 18 to 35-year-olds across Edinburgh, Glasgow and central

Scotland.



A week-long competition offering daily prizes of two cases of Morgan's

Spiced Gold encouraged listeners to call in and tell their favourite

spicy tales. The winners were then narrowed down to two finalists, who

battled it out live on-air with a striptease in the studio to win a

branded fridge-full of Morgan's and £500 in prize money.



Over 16 million listeners tuned into the 'spiced up' radio activity,

which took over the entire breakfast show on the last day.



'Morgan's Spiced Gold is a fun, up-for-it drink, and that is what this

activity was all about,' says Seagram brand manager Danielle

Blanchard.



'It made people laugh out loud and pick up the phone, but it was also

spot-on for our target market as we could see from its impact on sales

during that period.'



Beat 106, which refuses to divulge whether the striptease actually took

place, was also pleased with the results. 'It was a fun idea that really

delivered on the brand message and tone while appealing to our

listeners,' says Beat sales manager Vicky Pitchers.



THE MIDLANDS



Owned by Powergen, East Midlands Electricity, distributes electricity

throughout the East Midlands region. One of its priorities is ensuring

that all customers are aware of the dangers of making contact with

electricity, particularly at high voltages.



This summer, to raise awareness of the injuries and potentially fatal

consequences of electrocution, EME instigated a safety campaign. This

concentrated particularly on children with time off from school, who

were most likely to be outdoors exploring and getting up to

mischief.



'Accidents can occur for example, when footballs are kicked into

substations and children try to retrieve them, or when carbon-fibre

fishing rods come into contact with overhead lines,' says Powergen

external affairs manager Isobel Hoseason.



EME chose to promote its campaign to parents using local radio as a

means of instigating on-air competitions and interviews with EME head of

safety Paul Smith.



On a budget of £5,000, radio PR specialist EMR offered live-link

interviews and editorial competitions to all the BBC and independent

radio stations in the East Midlands region. This enabled Smith to

discuss electricity safety tips while positioning EME as an

authoritative organisation that offers consumers advice.



The campaign was taken up by radio stations ranging from BBC Radio

Leicester and BBC Radio Northampton to Trent FM, Leicester Sound and

Mansfield FM 103.2, reaching a total estimated audience of 403,135.



'We wanted to promote our safety message in a fun and interesting way

that would encourage families to enjoy the summer holidays, but stay

safe,' says Hoseason. 'We succesfully achieved that with 32 items of

coverage across 17 radio stations, with BBC and independent stations

equally represented.'



THE SOUTH-WEST



In January, Grayling PR Bristol was asked to promote a temporary

exhibition of aboriginal art at the British Empire and Commonwealth

Museum (BECM), a new venue located in Bristol Temple Meads.



Seeking to attract people of all ages from across the south-west, the PR

team organised a three-phase programme encompassing the launch period,

half-term for schools and Easter.



To bring the exhibition alive for the broadcast media, the PR team

recruited the talents of Francis Firebrace, an aboriginal master

storyteller from the Yorta Yorta people of Murray River, and Stephen

Boakes, a professional didgeridoo player.



Interviews with Firebrace, Boakes and Mary Ingoldby, the exhibition

education and outreach co-ordinator, ran on stations including BBC Radio

Bristol, Eagle FM, BBC Radio Gloucestershire and Gloucester independent

station, Falcon Radio.



At half-term this interest was supplemented by radio features -

including one half-hour slot - about the exhibition's program of

activities for children, encompassing an art competition and a

boomerang-throwing workshop.



However, the radio stations really came into their own during the Easter

period when Grayling organised a city 'walkabout' with Firebrace and

Boakes.



'By Easter, Firebrace had become a local celebrity, so this enabled us

to give the radio broadcasters a new backdrop to what was essentially

the same story,' says Grayling PR account director Helen Tridgell.



The overall PR programme has helped secure £300,000 of funding for

the BECM's education work and created a higher profile for the museum in

the local area. 'Because Firebrace is such an amazing story-teller,

radio was the ideal medium for us to use,' adds Tridgell.



Have you registered with us yet?

Register now to enjoy more articles and free email bulletins

Register
Already registered?
Sign in

Would you like to post a comment?

Please Sign in or register.